Rancid, Dropkick Murphys, Bouncing Souls & Jake Burns (Stiff Little Fingers) at Coney Island Ford Ampitheater, Brooklyn, NY (9/6/2017)

Rancid are currently on their From Boston To Berkeley tour in support of their Trouble Maker album. Joining them on tour are the Dropkick Murphys, Bouncing Souls and Jake Burns of Stiff Little Fingers. I attended the New York show at Ford Amphitheater on Coney Island.

The venue was literally right alongside the boardwalk, which is a stones-throw from the ocean. It was a very nice location for such a place and the it was a beautiful day. The venue is basically a large, round tent. The acoustics of the show were completely abysmal. It was the wrong venue for a punk show in general; in my opinion punk rock shows need to be in small, acoustic-sympathetic bar/clubs. The show was still loud, it just sounded terrible.

I missed Jake Burns' set entirely, which is a shame seeing that he's something of a legend himself, having fronted the great Stiff Little Fingers. Perhaps Ireland's first proper punk band. We arrived about 30 minutes after showtime (which was 6 PM sharp, apparently) and the Bouncing Souls were halfway through their set. They were probably my favorite band of the evening. Such classics as "Gone", "Kids and Heroes" and "True Believers" were all performed with much youthful enthusiasm. I really wish I'd caught their entire set.

Dropkick Murphys were up next. Despite being a fine live act, their performance felt a bit hollow. I really didn't feel too much of a connection with their music at all. Maybe I've heard "I'm Shipping Up To Boston" in one too many commercials. Also, poor sound marred any potential chance of any true enjoyment.

Headliners Rancid took the stage with definite purpose. Their newest album Troublemaker is basically more of the same old Rancid, for better or worse. The band was tight with Tim Armstrong and Lars Frederiksen in fine form. Their twenty-song set included a whopping eight tracks from their platinum break-through album ...And Out Come The Wolves (including the classic singles  "Ruby Soho", "Time Bomb" and "Roots Radicals"). "Nihilism", "Radio" and "Salvation" from Let's Go also got proper airings. As did a few from their newest album, including the single "Ghost Of A Chance".

The absolute highlight of the evening was Rancid & Dropkick Murphys performing an encore four-song set of "Take 'Em All" by Cock Sparrer, "Cretin Hop" by The Ramones, "Folsom Prison Blues" by Johnny Cash and "If The Kids Are United" by Sham 69.

The Smiths: The Boy With The Thorn In His Side (Warner Brothers/2017)

The Smiths haven’t really issued any really noteworthy product in many, many years. Johnny Marr remastered the four Smiths studio albums (and four compilation/live albums) in 2012. And The Sound Of The Smiths compilation in 2008. This year marks the first real year that The Smiths have a reissue campaign that will entice all Smiths fans alike.

Later this year the band will reissue The Queen Is Dead package that will include three CDs and one DVD. Earlier this Summer the title track was issued as a 12” and 7” single. And for Record Store Day The Boy With The Thorn In It's Side was released in a limited pressing of 12,000 copies. It's a teaser for the forthcoming box set. The A-Side is a “Demo Mix” of the well-known studio version. And isn't too different. The B-Side “Rubber Ring” is an “Early Drone Studios Version”, which was recorded at Drone Studios and very string-heavy.

Overall a very nice release. Cover star Albert Finney makes yet another appearance in the Smiths cannon. The truly noteworthy thing about this record is the political message that reads; “Trump Will Kill America”, which is etched in the runout groove of side A.

All in all, a wonderful release.

Here's the video review:

Special thanks to: Laurel.

Shriekback: Oil And Gold (Island Records/1985)

Shriekback's third album finds ex-XTC keyboardist Barry Andrews, ex-Gang Of Four bassist Dave Allen and ex-Out On Blue Six guitarist Carl Marsh's collectively greatest vinyl moment. Oil And Gold is the perfect transition from quirky outsider minimalist funk band to alternative commercial band. The album is perhaps their most diverse offering. It contains their most well-known hit in “Nemesis”, which is something of a mid 80's classic. “Fish Below The Ice” is also a fairly-successful single.

“Faded Flowers”, “Only Thing That Shines”, The Big Hush” and “Coelcanth” form something of a quiet calm suite. “Malaria” (which came this close to being issued as a single) and “Everything That Rises Must Converge” are both winning songs.

This was the last album to feature Marsh as lead vocalist, before the role was taken by creative leader Andrews. His whispering vocals are effective within the context of the bands inner logic.

This is a very good album and something of a forgotten mini-classic.

Here's the video review:

Corey Feldman & The Angels: The Korova, San Antonio, TX (5/26/2017)

Self-proclaimed legend/child actor Corey Feldman dazzled his fans at the Korova with a set of his original material. The man who starred in The Goonies, Stand By Me and License To Drive has been making music of questionable merit for over thirty-years now. He has released about five albums too.

He was in town to make an appearance at Alamo City Comic Con earlier that day. His twenty-song set lasted about two-hours and felt even longer. Many of those songs were from his newest album, Angelic 2 The Core. His band, The Angels, five females all dressed in angel wings and halos, were a serviceable band. Corey, despite having been up since 6 AM, had a remarkable amount of energy. Corey took a few short breaks every few songs, for a costume change as the Angels played on.

Also making an appearance at Comic Con was fellow Goonie star Jonathan Ke Quan (aka Data!!).
Ke Quan also hopped onstage with Corey and they (with significant support from The Angels) treated us to a rousing rendition of "The Goonies R Good Enough" by Cyndi Lauper. I have to admit, it was pretty special, not to mention surreal, seeing this all happen before my very eyes. This was basically the (mid) show-stopper. Corey also covered The Beatles' "Why Don't We Do It In The Road", with Mr. Feldman himself on drums and vocals. He pulled this off quite well. Who knew he could play the drums?

If this wasn't enough. I got to meet the man himself at a meet and greet in the basement of the venue a good hour after the show ended. Corey was perfectly gracious and nice. He signed a few things and took a photo with me as well.

Come to think of it, the guy really IS a legend.

Redd Kross: Bowery Ballroom, New York, NY 5/4/2017: Beneath The Valley Of The Teen Babes From Monsanto Tour

Hawthorne California's Redd Kross have been on tour this Spring, celebrating the reissue of their classic Teen Babes From Monsanto album. The band is one of the key figures from the late 70's LA punk scene (their first show was opening up for a Keith Morris-fronted Black Flag) who later morphed into a trashy, glammy, power pop, alt-rock outfit. After returning after a nearly ten-year hiatus with their Researching The Blues album in 2012, Kross have been going strong ever since.

The band graced Bowery Ballroom last week and put on an enthusiastic, ninety-minute, twenty-song set. The band had a new drummer (Roy McDonald was unavailable for the tour) in the form of Melvins drummer Dale Crover and touring lead guitarist Jason Shapiro (Robert Hecker, is a teacher and can't just up and tour anymore). The McDonald brothers, Jeff and Steve had a great on-stage rapport, with Steve providing a lot of funny anecdotes. The band were very well-rehearsed (except for one song, "It Won't Be Long", where there was a discrepancy over key and necessitated a few false starts).

The band played plenty of their loved singles; "Switchblade Sister", "Annie's Gone", "Jimmy's Fantasy" and "Lady In The Front Row". Plus a few deeper cuts; "Annette's Got The Hits", "Peach Kelli Pop" and "Neurotica". But the real treat was the band performing the entire Teen Babes all-covers album (ahem, "Rock And Roll Retrospective") in its' seven-song entirety (it's a short album). Hearing them perform "Ann" by The Stooges, "Saviour Machine" by David Bowie and "Citadel" by The Rolling Stones was a very nice treat for hardcore-fans, of which I am one.

They put on a great show with a very-well considered setlist. If you have to opportunity to see the band, by all means do.

The Psychedelic Furs and Robyn Hitchcock at House Of Blues, Houston, TX 4/2/2017

I've been a fan of The Psychedelic Furs and Robyn Hitchcock for a very long time. Both artists share a psychedelic influence and come from the late 70's UK punk movement. Robyn's old band, The Soft Boys, opened for the Furs in 1980 and Robyn has covered "The Ghost In You" since the late 80's. So, despite some obvious stylistic differences, they are most certainly peers.

This is my third time seeing Robyn in the past sixteen months, and he's finally come around to embrace his legacy. He's performed "Balloon Man" and "Madonna Of The Wasps" at all of these shows, songs he'd snubbed in the past in lieu of then-recent compositions. He apologized that night for having a case of the flu, but his performance was seemingly unaffected by any such ailments. His playing was as nimble as ever and his voice was in fine form. Classics like "Heaven", "I'm Only You" and "Queen Of Eyes" all got airings as did newer classics like "I Pray When I'm Drunk",  "Saturday Groovers" and "Mad Shelly's Letterbox".

It was a little strange seeing Robyn open for anyone, but, given his slot and his flu, after twelve songs he departed the stage. He didn't even hang out at the merch table greeting fans, which has become a post-show ritual for Hitchcock as of late. Hell, there wasn't even any merchandise of his at the merch table.

I'd only ever seen the Furs once before, about ten years ago. They were good then. They were even better this time. Singer Richard Butler and bassist/brother Tim Butler are backed by lead guitarist Rich Good (ex-The Pleased), longtime sideman saxman Mars Williams (ex-The Waitresses), keyboardist Amanda Kramer (ex-Informantion Society) and drummer Paul Garisto (ex-Iggy Pop). They were a very capable band who were far more engaging than I'd anticipated.

They opened with the bonafide classic post punk single "Dumb Waiters". Sadly, they didn't perform anything from their classic self-titled debut album, but they did a bunch from it's equally classic follow-up Talk Talk Talk ("So Run Down", "Pretty In Pink", "No Tears" and "Mr. Jones") and few from Forever Now ("Love My Way" and "President Gas") plus later singles ("House", "Heaven", "The Ghost In You" and "Heartbreak Beat").

All in all it was fantastic show at a fantastic venue.

The Beach Boys: Becoming The Beach Boys: The Complete Hite & Dorinda Morgan Sessions (Omnivore Recordings/2016)

Before the Beach Boys signed for Capitol in Spring of 1962, they recorded for the independent label Candix. The band, still in their teens recorded with producer Hite Morgan. These sessions yielded the "Surfin'" single (and it's rare B-Side "Luau"), and early versions of "Surfin' Safari" and "Surfer Girl". Also recorded was the bands "Barbie" single (which they recorded under the name Kenny And The Cadets). The band was still in its' beginning stages and Brian Wilson had only just begun to write songs. The band were also fairly rudimentary on their instruments.

This is definitely something that is nearly exclusively for hardcore Beach Boys fans. This is a nice piece for fans as it collects all their early material in one place. It's a Record Store Day release and comes in yellow, red or blue in a limited number of 3,000 copies.

Here's The Video Review:


Thanks to Dave Rerecich.