In the early 1960's drag racing/hot rodding was wildly popular in Southern California. Also wildly culturally popular was Surf Rock. Eventually out of Surf Music, grew Hot Rod music (i.e. Dick Dale & His Deltones, The Beach Boys, Jan & Dean, etc.). That is, surf rock with lyrics pertaining to Hot Rods and Hot Rod culture. The Big Sounds Of The Drags! is not Hot Rod music per se. It is a spoken word album with a narrator who introduces the album followed by the sounds of drag racers, drag-racing and, for authenticity purposes, a race announcer off in the distance.
Released in October of 1963, The Big Sound Of The Drags! was produced by Jim Economidies (responsible for plenty of early/mid 60's surf rock records). It was the first in a series of five in Captiol's "Big Sound Series" (the other four being The Big Sounds Of The Sports Cars, The Big Sounds Of The Drag Boats, The Big Sounds Of The Go Karts! and The Big Sounds Of The Drags Volume Two). The Drags was the most successful selling over 100,000 copies (in just six months).
The sounds of revving car engines is oddly therapeutic/soothing. And I can imagine one falling asleep soundly to the long-droning sounds. The album is about twenty-eight minutes long. It's really a strange little 1960's pop culture artifact. If you're a fan of hod rod/racing or spoken word albums you'll most-likely love this slab of vinyl. Otherwise I'm not sure who to recommend this to. I personally enjoyed it in all its proto-ambient charming drone-glory..
Jerry Cole was an in-demand session musician from the 1960's Los Angeles, California scene. He was a member of what was subsequently dubbed The Wrecking Crew, who played on Phil Spector's hit records and The Beach Boys' Pet Sounds and SMiLE albums. He was the band-leader on the 60's variety shows Shindig! & Hullabaloo. He's been inducted into the Rockabilly Hall Of Fame & the Capitol Records Legendary Performer Hall Of Fame. He also worked with Little Richard, Elvis Presley, Isaac Hayes, Paul Revere & The Raiders and Frank Sinatra to name just a few. He also had a band of his own: The Spacemen, who performed regularly on the Sunset Strip and released a trio of albums on Capitol Records in 1963 & 1964.
The final release of these albums, Hot Rod Dance Party is produced by Jim Economides (Dick Dale & His Del-Tones) and was originally released in 1964 by Capitol Records. At the time, Capitol was producing surf-rock albums by the dozens, either by actual surf-rock bands, or studio-created "bands" such as The Super Stocks, The Kickstands & The Ghouls.
"MUSIC WITH A DRIVIN' BEAT THAT PUT ANY PARTY ON WHEELS"
Hot Rod Dance Party is a horn-driven, classic reverb-drenched guitar instrumental album and is very danceable (in an swinging, twisting, old-school, guitar-based way). It's Hot-Rod Music/Surf-Pop (although "Hot Rod Music" is really just surf rock with lyrics about cars and racing as opposed to waves and surfing). There aren't any particular standout tracks, truth-be-told. The material is sometimes bachelor-pad infused with hints of tiki exotica and lounge with great guitar lines courtesy Mr. Cole. At times the material falls into a sort of generic surf-pop realm, that really isn't made anymore. This being said, the recording itself is very nice (and so unmistakably Americana of the mid 60's as well). And if you're a fan of surf rock guitar playing, you'll probably love this record. One can only imagine how the surf pop vocals of The Beach Boys or Jan & Dean on top of these instrumental tracks would have potentially elevated it commercially, but I digress.
It was reissued In a limited pressing of only 1,000 copies in 2010 by the fantastic reissue label Sundazed Music based out of the Catskills in New York. Sundazed has long-since taken the mantle from Rhino Records as being the greatest vinyl reissue/authentically vintage label currently in existence. The vinyl is beautiful clear-black-marble and is a nice piece for anyone who is a fan of this sort of thing (i.e. instrumental surf pop on vinyl, auxiliary Beach Boys session musicians, etc).
