Showing posts with label Norton Records. Show all posts
Showing posts with label Norton Records. Show all posts

Wednesday, September 7, 2016

Alex Chilton: Ocean Club '77 (Norton Records/2015)



In 1977, Alex Chilton was in a time of transition. The band he'd fronted as a teen idol The Box Tops broken up in 1970 and the Power Pop legends Big Star – the band that Chris Bell had formed with Alex, Andy Hummell and Jody Stevens - had broken up in early 1975. Chilton had just released the Singer Not The Song EP and to properly promote it he moved in New York. There he formed a band with Chris Stamey (later of the dB's) on bass and Lloyd Fonroff on drums. Later that year the band was known as Alex Chilton and the Cossacks and had Fran Kowolski on keyboards.

Ocean Club '77 is what might be dubbed an official bootleg. It was approved by the Chilton estate. It claims to be a soundboard show. Which it may well be, albeit a poorly-mic'd one. The cover art font doesn't do it any favors either. However, the packaging is nice enough, with nice liner notes as well.

The first thing you hear is Chilton ordering a “Canadian Whiskey & Coca Cola on the rocks” from the stage to the bar. So, immediately you know it's going to be a fairly loose affair. Which it is. Although, it's not too loose as the rhythm section of Stamey & Fonoroff are tight-enough.






The song selection is pretty wonderful. “September Gurls”, “In The Street”, “O My Soul”, “Way Out West” and “Back Of A Car” all get confident airings. The Third nugget “Nightime” does as well – a good year before it's release. “The Letter” gets a different, slower arrangement. “Can't Seem To Make You Mine” (a cover of the Seeds' classic), “Window's Hotel”, “All Of The Time”, “My Rival” and “She Might Look My Way” all of which appeared on the rejected Elektra Demos, are in fine form here. As well as covers of the rock classics “Memphis”, “Wouldn't It Be Nice”, Walk Don't Run” and Nelson Slater's Lou Reed-produced “Dominating Force”.


Definitely recommended for the Chiltonphile of Big Star devotee.  

Here's the very special video review version:




Special Thanks to: Ebet Roberts, Norton Records and Dave Rerecich for making me vanish at the end. Into thin air. 

Wednesday, February 17, 2016

The Seeds: Night Time Girl (Norton Records/2014)



The Seeds were allegedly the best live band from Los Angeles in the 1960's, so it's a mystery why their label would want them to record a “live” album in the studio and then overdub crowd noise over the results. In April of 1968 the band recorded the album at Western Recorders and would be released as Raw & Alive: The Seeds In Concert At Merlin's Music Box. In 2014 the UK label Big Beat Records released the album without the dubbed audience noise plus another earlier attempt at a full-length live-in-the studio affair, on a two-disc set simply called Raw & Alive.

The wonderful Norton Records released a 7” vinyl teaser from the album. “Night Time Girl” starts off with what sounds like an early synthesizer but it's probably just an over-modulated keyboard. The song sounds like The Stooges meets The Doors, which isn't so surprising. You can hear how Sky Saxon's vocal prowess influenced Iggy Pop on the B-Side “Gypsy Plays The Drums”. These may be my favorite recordings by The Seeds.


If you're a fan of proto-punk, garage rock or rock and roll in general this most very highly recommended.   

Here's the video review: