The Raspberries: Raspberries' Best (Capitol/1976)

Cleveland, Ohio's The Raspberries were, along with Big Star, Badfinger, and Blue Ash the main purveyors of what became known as Power Pop. The Raspberries were easily the most successful band of this genre (with Bandfinger coming a near second) and later Cheap Trick. Critics were split in their decision on them. Some deemed them square/unhip, others loved their blend of the music of Who and harmonies of the Beatles/Beach Boys. The band had four big hit singles in “Go All The Way”, “I Wanna Be With You”, “Overnight Sensation (Hit Record)” and “Let's Pretend” before breaking up in 1975.

Raspberries' Best, released in 1976, is a near-perfect vinyl-era compilation of the bands singles. 
“I Can Remember” and “Starting Over” as album tracks and as fine as song “Starting Over” is, it could've been easily replaced here by “Crusin' Music” and “I'm A Rocker” ; both two fine singles that were omitted here for reasons unknown.

If you've not heard the band but have read their name countless times on various Power Pop articles, this is a fine collection that probably won't cost you more than a few dollars.

Here's the video review:

The Seeds: Bad Part Of Town/Wish Me Up/Love In A Summer Basket/Did He Die (Sundazed Music/2013)

Los Angeles, California's The Seeds were a unique 60's band. They influenced bands in the genres of acid rock, garage rock, psychedelia and protopunk. They had a few hit singles in “Pushin' Too Hard”, “Can't Seem To Make You Mine” and “Mr. Farmer”. They're only now finally getting vinyl releases of the retro/revisionist variety. Sundazed Music has released such an item on Record Store Day of 2013. It's a double-seven-inch release of the bands two MGM singles. Recorded as a short-lived quintet at the end of the bands in 1970, the sound is similar to what the band had done on the GNP 
Crescendo label from 1965-1969.

“Love In A Summer Basket” and “Wish Me Up” are blissed-out would-be Summer Of Love concoctions that employ flutes, lazy guitars and Daryl Hooper's keyboards. “Bad Part Of Town” and “Did He Die” sound like early tracks by The Stooges. The latter of which retains an intensity not commonly associated with the late 60's/early 70's. I only wish this line-up had recorded more as than what's been made available (once again after having been out of print basically since their release).

Very highly-recommended!

Here's the video review: 

Jellyfish: Radio Jellyfish (Omnivore Recordings/2013)

Omnivore Records is a specialty label that has released previously unreleased or reissued albums by Big Star, Alex Chilton, Bob Mould, The Three O'Clock, Camper Van Beethoven and Jellyfish. Radio Jellyfish is the fifth of these releases. It's a ten-song live acoustic collection of promotional radio appearances the band made for their swan song 1993 album Spilt Milk.

Recorded in Holland and Australia it's a nice distillation of Jellyfish's songwriting prowess and their then-modern take on retro-70's material. Lots of harmony vocals ala The Beach Boys, Beatles and Chicago. Half of the album are single sides and it also contains a cover of The Move's “I Can Hear The Grass Grow” and Badfinger's “No Matter What”. This is a release that is aimed toward the hardcore Jellyfish fan, but I would recommend this to any fan of 90's pop and certainly any fan of Power Pop.

The packaging is beautiful as Omnivore does right once again. The inner-sleeve resembles a pop-out frame from Magical Mystery Tour and the nice clear vinyl is also pretty wonderful.

Here's the video review:

Chocolate Watch Band: In The Midnight Hour 7" Single (Sundazed Music/2012)

San Jose, California's The Chocolate Watch Band were one of the few bands from the 1960's that punk rockers held in high-esteem. They appeared in the 60's exploitation films Riot On The Sunset Strip and The Love-Ins. The band are comparable to the Syndicate Of Sound, The Electric Prunes and The Standells, only the Chocolate Watch Band were simultaneously more psychedelic and slightly harder-sounding than those bands. Their unique blend of Garage Rock and Psychedelia is just one reason why they still get tons of airplay on Little Steven's Underground Garage.

Released on Record Store Day 2012 on Sundazed Music, this single is a nice coup for fans of the band. Both “In The Midnight Hour” and “Psychedelic Trip” were produced by Ed Cobb and Engineered by Richard Polodor and are outtakes from the bands No Way Out album. I personally highly recommend seeking out The Chocolate Watch Band. This single is just a small taster that I'd suggest to anyone who like 60's Garage Rock and or 60's Psychedelia.

Here's the video review:

Thanks to: Sundazed Music, Jeff Jarema.

Paul Revere & The Raiders: Ride Your Pony 7" (Sundazed Music/2012)

Paul Revere & The Raiders were one of the most successful bands of the 1960's. They had a total of 15 Top 40 hit singles, were the house band on Dick Clark's variety program Where The Action Is and leaders  Mark Lindsay and Paul Revere co-hosted Happening '68 and It's Happening. They've also influenced a slew of bands with their blend of Garage Rock and Protopunk sound.

On Record Store Day in 2012 Sundazed Music released a single of outtakes on Red Vinyl. Both songs were produced by Terry Melcher (Melcher was responsible for the bands biggest 60's hits). A cover of the Lee Dorsey classic “Ride Your Pony” appears on the A-Side. Recorded in the Summer of 1965 for the Just Like Us! Album, the track would have been right at home on the album as it's something of a mini-rave-up of a 60's rock dance track.

The B-Side is the original “(You're A) Bad Girl”. It was recorded for The Spirit Of '67 album a year later than the A-Side, and it's a definite stand-out track. The verses are lightly psychedelic and the song itself, retrospectively sounds like it was a hit. It would have been a nice addition to the charts during the late-Summer of 1966.

If you've not heard Paul Revere & The Raiders and a fan of garage rock or sixties pop, you should definitely purchase this single. 


Here's The Video Review:

Thanks to: Sundazed Music and Domenic Priore.

Robyn Hitchcock: There Goes The Ice (Yep Roc/2013)

Formerly of The Soft Boys, The Egyptians and The Venus Three, Robyn Hitchcock has been reliably producing his blend of jangly psychedelic folk rock since the late 1970's. Since signing to the wonderful Yep Roc Records in 2004 he's had something of a creative second-coming. This release, which collects all five of Robyn's“Phantom 45's” is a nice two-disc 12” 45 RPM Record Store Day release.

The songs have a whimsical very dashed-off quality to them. Disposable in the best-possible sense.

“To Be Human” - which sounds like it could have been recorded for Eye, “Thank You Time Girl” and the title track – the latter containing KT Tunstall backing Robyn - are acoustic-based tracks. The upbeat “Twitch For Sam Surfer” features Green Gartiside of Scritti Politti on guitar and vocals. “I'll See You” and “After The Bullfight” feature Ex-Soft Boy & Egyptian drummer Morris Windsor. None of this material has been released in a digital format to my knowledge, so this is the most convenient-way of owning this material.

Robyn Hitchcock - whose vocals are a hybrid of his primary influences - Syd Barrett, Bob Dylan and John Lennon - has never been all that easy to recommend. He's beloved by critics (myself included) but to your more conservative average low-information consumer, his voice has always been something of a sore thumb. If you're a Robyn novice, a great starting point would be Fegmania!, Underwater Moonlight or Element Of Light. However for the converted, this release is well worth the time and effort as it stands up well with his newest releases.

Here's The Video Review:

Thanks to: Doug Mashkow of CD Island.

The Monkees: Selections From The Headquarters Sessions (Rhino/2012)

Aside from being known for their classic hit singles “I'm A Believer”, “Last Train To Clarksville” and “Daydream Believer”, the Monkees also had some notoriety for not being the actual musicians who played on the records. The Monkees was conceived by Bob Rafelson and Bert Schnieder as an American television show equivalent of The Beatles. Half of the Monkees were actors and the other half were musicians. As a need to promote The Monkees name, the band needed to tour - which necessitated the need for all four Monkees to learn their respective instruments. So for the Summer of 1967 the band toured the U.S.. For the first two Monkees albums studio musicians were used on all recordings except vocally.

However for the third album, Headquarters, the band played nearly all the instruments themselves. In 2000 Rhino released The Headquarters Sessions, an 84-track 3-CD set on their boutique Rhino Handmade label. Selections From The Headquarters Sessions is a vinyl-only condensation of that and is an eight-song mini album consisting of highlights from the recording sessions. “All Of Your Toys” which the band had earmarked as their third single was marred by problems involving the publishing and their producer Don Kirschner. The song is presented here in it's original mono version. Also appearing in its' mono version is the original version of Mike Nesmith's “The Girl I Knew Somewhere”. An alternate version (with an unused tag) of the single “Randy Scouse Git” is another highlight. Rounding things out are a few acoustic demos from Mike Nesmith the backing track for “No Time” and a solo Peter Tork banjo performance of the traditional “Cripple Creek”.

This release is limited pressing of 2,000 on red vinyl that was issued for Record Store Day 2012 on Rhino Records. It is basically for Monkees fans who can't get enough Monkees vinyl and as such a nice collection for them. 

Here's The Video Review: