The Byrds: Sanctuary IV (Sundazed Music/2002)

The Byrds are one of the most influential bands of the 1960's. They seamlessly blended British Invasion pop with folk music. Incorporating psychedelic rock and raga rock. And finally overlapping traditional American country and Bluegrass music with contemporary rock music. Sanctuary series is a four volume collection on Sundazed Music. Volume four is a collection of outtakes and alternate versions of tracks from the bands groundbreaking Sweetheart Of The Rodeo album.

Gram Parsons had joined the band in February of 1968 and immediately asserted his influence and persuading original band members Roger McGuinn and Chris Hillman toward Honky Tonk/Country music. This wasn't too difficult as Hillman and McGuinn had their roots in traditional country music. But it was virtually unheard of for a pop band to tackle this. Their Sweetheart Of The Rodeo album confused fans at the time and only reached # 77 on the charts and the classic single “You Ain't Goin' Nowhere” only reached #74. The album is now regarded as a classic and made Rolling Stone Magazine’s 500 Greatest Albums of all-time list in 2003.

Sanctuary Four collects several of the Gram Parson vocal tracks that were originally intended for the Sweetheart album. Those tracks were later released with Roger McGuinn on lead vocals as Parson was still contractually obligated to his previous contract with Columbia Records for his time with The International Submarine Band. Including “One Hundred Years From Now”, “Life In Prison” and “You Don't Miss Your Water”. Plus fantastic non album tracks “Lazy Days” and “You've Got A Reputation”.

Sundazed Music, once again, does a fantastic job on the authentic packaging and liner notes. Recommended for Byrdmaniax and Gram Parsons fans alike.  

Here'e The Video Review:

Special Thanks to doomandgloomfromthetomb.tumblr.com

(They Rule)

The Electric Prunes: I've Got A World Of My Own (Sundazed Music/2016)

This Record Store Day birthed a single from The Electric Prunes. The Electric Prunes are well-known for the singles “I Had Too Much To Dream Last Night” and “Get Me To The World On Time”. Both songs were recorded in 1966 and were outtakes for the band's self-titled debut album. The Hollies cover “I've Got A Way Of My Own” features Byrdsian backing harmony vocals and the jaunty “World Of Darkness” sounds like an R&B garage rock standard.

A nice and welcome release from a band that doesn't have their back-catalog exploited as much as other bands.  

Here's The Video Review:

Shadows Of Knight: I Got My Mojo Working (Sundazed Music/1996)

The Shadows Of Knight are one of the definitive American garage rock bands from the mid 60's. Their most successful chart entry was their top-ten cover of “Gloria” by Them. It contained the then-risque lyric “She comes to my room” which the Shadows Of Night replaced with “She Calls Out My Name”, which ensured airplay in all markets. Although, in many major markets the song reached #1. They also made the national top 40 charts with their cover of Bo Didley's “Oh Yeah”.

The always reliable reissue label Sundazed Music issued an alternate version of “I Got My Mojo Working” which was recorded at a 1966 session at Chess Records. It's a lively, raucous recording and a fine addition to their released output. The more interesting side here however is the B-Side. It's a promotional advertisement for Fairmount Potato Chips that was released on a Flexi Disc on Auravision Records in 1967. It is the band introducing themselves and then launching into bluesy proto-punk song about a “Potato Chip”. It's worth the price of record alone.

For fans of Garage Rock. Recommended.  

Here's The Video Review:

The Rip Chords: Sting Ray 7" (Sundazed Music/2006)

The Rip Chords were southern California surf pop band that were signed to Columbia Records. They released two unsuccessful doo-wop influenced singles (“Here I Stand” & Gone”). Columbia Record producers Terry Melcher and Bruce Johnston - also of the surf pop combo Bruce & Terry - came in shortly thereafter and took over the lead vocal duties. The band then had huge hit singles with “Hey Little Cobra” and “Three Window Coupe”. The band released two albums and subsequently had one more charting single with “One Piece Topless Bathing Suit” before calling it a day in 1965.

The always reliable Sundazed Music later reissued the bands two albums and a best of compilation that also contained a few unreleased items. Sundazed also released a single on colored vinyl on yellow wax.

“Sting Ray” is a boogie woogie rock and roll song that references The Beach Boys “Little Deuce Coupe”. “Red Hot Roadster” is a song that appeared in the motion picture A Swingin' Summer, that the band actually appeared in and the band performed said song. “Shut Down” is the a cover of the Beach Boys classic and appeared on the the Hey Little Cobra And Other Hits album. Terry Melcher went on to produce The Byrds and Paul Revere And The Raiders. Bruce Johnston joined the Beach Boys in the Spring of 1965 and is in the band to the day. And a touring version of The Rip Chords still tours the oldies circuit.

Highly recommended for fans of The Beach Boys and 60's Surf Pop. 

Here's the video review:

David Marks & The Marksmen: The Sheriff Of Noddingham 7" (Sundazed Music/2003)

David Marks was the rhythm guitarist with The Beach Boys from February of 1962 until October of 1963. He co-signed the band's contract with Capitol Records along with Mike Love and the Wilson brothers and was on the bands first four albums (Surfin' Safari, Surfin' USA, Surfer Girl and Little Deuce Coupe). He ultimately left the band left over a financial dispute between his parents and Murray Wilson. He was technically a legal full-time member of the band until late 1967.

David Marks later rejoined The Beach Boys in 1995, first appearing on Baywatch with the band. Then on the Beach Boys Salute NASCAR 1998 compilation. And later appearing on the bands 2012 reunion album That's Why God Made The Radio and subsequent 50^th Anniversary World Tour.

Soon after leaving the band Marks formed The Marksmen in 1963 and released a few singles on A&M Records and Warner Brothers before disbanding in 1965. The complete Marksmen recordings were finally compiled in 2008 on the Quiver Records compilation album The Ultimate Collector's Edition 1963-1965.

Sundazed Music released this beautiful little single in 2003 of two of the stand-out tracks by The Marksmen (“The Sheriff Of Noddingham” b/w “Kustom Kar Show”). “Noddingham” is a classic surf instrumental rave-up with plenty of wet, reverby guitar ala Dick Dale, while “Kar Show” is an endearingly goofy songwith backing-vocals and handclaps by The Honeys (which featured Brian Wilson's future wife Marilyn Rovell).

Highly recommended for fans of The Beach Boys and Surf Rock.

Here's The Video Review:

The Sunrays: Our Leader (Sundazed Music/2014)

The Sunrays were a mid 60's Sunshine Pop/Surf Pop band from southern California. They were managed by Murray Wilson, father of Brian, Dennis & Carl Wilson of The Beach Boys. Murray took up the role of as band manager after being fired by The Beach Boys for being deemed intolerable to work with. Murray also served as The Sunrays producer and got them signed to Capitol Records subsidiary, Tower Records in 1964. The band had hit singles with “I Live For The Sun”, “Andrea” and “Still” before disbanding 1967.

This single, which was released on Record Store Day of 2014, is comprised of “Our Leader”, which was a recording dedicated to Murray Wilson by the band and given to him on Christmas of 1965. It's a heart-felt token of appreciation to an individual whose reputation has been tarnished over the years.

“Won't You Tell Me” is a song that was composed by Murray Wilson and band leader Rick Henn to record, four years after the band's break-up. Recorded by the Wrecking Crew and some creative input and backing vocals from Dennis Wilson, it's something of a mini Sunshine/Baroque Pop classic.

The song was overdubbed with vocals from both Brian and Carl Wilson also in 1971. This version appears on the Beach Boys bootlegs Get The Boot and All This Is That.

Sundazed works its' usual magic and the vinyl is of the usual high-standards. It's nice yellow vinyl pressing and comes with four-pages of insightful and historical annotation from Rick Henn.

Very Highly Recommended for fans of The Beach Boys, Baroque Pop and Sunshine Pop of the 1960's.

Here's the video review:

Jerry Cole & His Spacemen: Surf Age (Capitol/1963 & Sundazed Music/2008)

Jerry Cole was one of the most sought-after session guitarists of the 1960's Los Angeles scene. He was a member of The Wrecking Crew and regularly appeared albums by The Beach Boys, Frank Sinatra, Paul Revere & The Raiders and Little Richard. He also had a little band of his own known as The Spacemen. Jerry Cole & The Spacemen released three albums which were all released on Capitol Records. The second of these, Surf Age, has been reissued by the fantastic Sundazed Music (along with Hot Rod Dance Party) in a limited pressing of 1,000 copies on colored vinyl.

Surf Age is an instrumental surf rock album with your standard guitar, bass, drums arrangement. Songs are occasionally ornamented with organs, sometimes saxophones and lots of percussion. The album was produced by Jim Economides (who also wrote about half of the material) and it's a nicely recorded/produced album. The material is sometimes danceable in an old-school way. It's definitely a wonderful relic of its' time. I personally like the bass saxophones but I could do with out the sax solos - they're the one thing on the entire recording that "date" it, oddly enough. Whereas the standard guitar-bass-drums surf rock set-up is fairly timeless. The riffs are great but the material as a whole is somewhat on the forgettable-side.

However, these releases are a guilty-pleasure of mine as I'm way into this period of music (especially surf rock from the West Coast) so I'd recommend this to other like-minded fans as well. 

Here's the video review:

The Seeds: Bad Part Of Town/Wish Me Up/Love In A Summer Basket/Did He Die (Sundazed Music/2013)

Los Angeles, California's The Seeds were a unique 60's band. They influenced bands in the genres of acid rock, garage rock, psychedelia and protopunk. They had a few hit singles in “Pushin' Too Hard”, “Can't Seem To Make You Mine” and “Mr. Farmer”. They're only now finally getting vinyl releases of the retro/revisionist variety. Sundazed Music has released such an item on Record Store Day of 2013. It's a double-seven-inch release of the bands two MGM singles. Recorded as a short-lived quintet at the end of the bands in 1970, the sound is similar to what the band had done on the GNP 
Crescendo label from 1965-1969.

“Love In A Summer Basket” and “Wish Me Up” are blissed-out would-be Summer Of Love concoctions that employ flutes, lazy guitars and Daryl Hooper's keyboards. “Bad Part Of Town” and “Did He Die” sound like early tracks by The Stooges. The latter of which retains an intensity not commonly associated with the late 60's/early 70's. I only wish this line-up had recorded more as than what's been made available (once again after having been out of print basically since their release).

Very highly-recommended!

Here's the video review: 

Chocolate Watch Band: In The Midnight Hour 7" Single (Sundazed Music/2012)

San Jose, California's The Chocolate Watch Band were one of the few bands from the 1960's that punk rockers held in high-esteem. They appeared in the 60's exploitation films Riot On The Sunset Strip and The Love-Ins. The band are comparable to the Syndicate Of Sound, The Electric Prunes and The Standells, only the Chocolate Watch Band were simultaneously more psychedelic and slightly harder-sounding than those bands. Their unique blend of Garage Rock and Psychedelia is just one reason why they still get tons of airplay on Little Steven's Underground Garage.

Released on Record Store Day 2012 on Sundazed Music, this single is a nice coup for fans of the band. Both “In The Midnight Hour” and “Psychedelic Trip” were produced by Ed Cobb and Engineered by Richard Polodor and are outtakes from the bands No Way Out album. I personally highly recommend seeking out The Chocolate Watch Band. This single is just a small taster that I'd suggest to anyone who like 60's Garage Rock and or 60's Psychedelia.

Here's the video review:

Thanks to: Sundazed Music, Jeff Jarema.

Paul Revere & The Raiders: Ride Your Pony 7" (Sundazed Music/2012)

Paul Revere & The Raiders were one of the most successful bands of the 1960's. They had a total of 15 Top 40 hit singles, were the house band on Dick Clark's variety program Where The Action Is and leaders  Mark Lindsay and Paul Revere co-hosted Happening '68 and It's Happening. They've also influenced a slew of bands with their blend of Garage Rock and Protopunk sound.

On Record Store Day in 2012 Sundazed Music released a single of outtakes on Red Vinyl. Both songs were produced by Terry Melcher (Melcher was responsible for the bands biggest 60's hits). A cover of the Lee Dorsey classic “Ride Your Pony” appears on the A-Side. Recorded in the Summer of 1965 for the Just Like Us! Album, the track would have been right at home on the album as it's something of a mini-rave-up of a 60's rock dance track.

The B-Side is the original “(You're A) Bad Girl”. It was recorded for The Spirit Of '67 album a year later than the A-Side, and it's a definite stand-out track. The verses are lightly psychedelic and the song itself, retrospectively sounds like it was a hit. It would have been a nice addition to the charts during the late-Summer of 1966.

If you've not heard Paul Revere & The Raiders and a fan of garage rock or sixties pop, you should definitely purchase this single. 


Here's The Video Review:

Thanks to: Sundazed Music and Domenic Priore.

The Byrds: Sanctuary III (Sundazed Music/2001)

It might be easy to forget now, but behind The Beatles, The Rolling Stones & The Beach Boys - The Byrds were quite possibly the most popular and influential band of the 1960s. They ushered in folk rock, raga rock, acid rock and country rock all with equal creative success. Sundazed Music has released all of their albums in both stereo and mono along with a line of revisionist alternate releases as well. They've released a series of four albums of all unreleased and alternate versions of tracks on vinyl. Sanctuary III is the third of these releases and it contains tracks from the Ballad Of Easy Rider from 1969 and their Untitled album from 1970. The band are in their country rock period here and are just starting to sound comfortable as such.

This version of the Byrds included bassist John York and drummer Gene Parsons. The Untitled tracks feature Skip Battin on bass. The best tracks here are a cover of The Pentangle's "Way Behind The Sun", a version of "Mae Jean Goes To Hollywood" written by a then-unknown songwriter by the name of Jackson Browne, a longer version of "Ballad Of Easy Rider" that features virtuoso guitarist Clarence White and an alternate version of Bob Dylan's "It's All Over Now Baby Blue". The band made a tradition of covering one Dylan song on each album. And I daresay their version of "Baby Blue" is the very best of these.

 There are also a few interesting instrumentals ("Build It Up" and "White's Lightening Parts I & II") which make for a nice showcase for the late, great Clarence White and his B-Bender Telecaster. The majority of the Sanctuary tracks have all appeared as bonus tracks on the respective album's CD reissues for which they were recorded for. However here the tracks have a nice unified cohesive whole, instead of appearing as also-rans after each album's original tracks. If you are a fan of the Byrds and are looking for a nice vinyl series in which to invest, by all means pick up the four records on 180 Gram vinyl on Sundazed Music that make up Sanctuary series.


Here's The Video Review:

Special Thanks: Sundazed Music.

Jerry Cole And His Spacemen: Hot Rod Dance Party (Capitol 1964 & Sundazed Music 2010)

Jerry Cole was an in-demand session musician from the 1960's Los Angeles, California scene. He was a member of what was subsequently dubbed The Wrecking Crew, who played on Phil Spector's hit records and The Beach Boys' Pet Sounds and SMiLE albums. He was the band-leader on the 60's variety shows Shindig! & Hullabaloo. He's been inducted into the Rockabilly Hall Of Fame & the Capitol Records Legendary Performer Hall Of Fame. He also worked with Little Richard, Elvis Presley, Isaac Hayes, Paul Revere & The Raiders and Frank Sinatra to name just a few. He also had a band of his own: The Spacemen, who performed regularly on the Sunset Strip and released a trio of albums on Capitol Records in 1963 & 1964.

The final release of these albums, Hot Rod Dance Party is produced by Jim Economides (Dick Dale & His Del-Tones) and was originally released in 1964 by Capitol Records. At the time, Capitol was producing surf-rock albums by the dozens, either by actual surf-rock bands, or studio-created "bands" such as The Super Stocks, The Kickstands & The Ghouls.

"MUSIC WITH A DRIVIN' BEAT THAT PUT ANY PARTY ON WHEELS"

Hot Rod Dance Party is a horn-driven, classic reverb-drenched guitar instrumental album and is very danceable (in an swinging, twisting, old-school, guitar-based way). It's Hot-Rod Music/Surf-Pop (although "Hot Rod Music" is really just surf rock with lyrics about cars and racing as opposed to waves and surfing). There aren't any particular standout tracks, truth-be-told. The material is sometimes bachelor-pad infused with hints of tiki exotica and lounge with great guitar lines courtesy Mr. Cole. At times the material falls into a sort of generic surf-pop realm, that really isn't made anymore. This being said, the recording itself is very nice (and so unmistakably Americana of the mid 60's as well). And if you're a fan of surf rock guitar playing, you'll probably love this record. One can only imagine how the surf pop vocals of The Beach Boys or Jan & Dean on top of these instrumental tracks would have potentially elevated it commercially, but I digress.

It was reissued In a limited pressing of only 1,000 copies in 2010 by the fantastic reissue label Sundazed Music based out of the Catskills in New York. Sundazed has long-since taken the mantle from Rhino Records as being the greatest vinyl reissue/authentically vintage label currently in existence. The vinyl is beautiful clear-black-marble and is a nice piece for anyone who is a fan of this sort of thing (i.e. instrumental surf pop on vinyl, auxiliary Beach Boys session musicians, etc).

Here's the video review:

Special thanks: Sundazed Music.