The Byrds: Sanctuary IV (Sundazed Music/2002)

The Byrds are one of the most influential bands of the 1960's. They seamlessly blended British Invasion pop with folk music. Incorporating psychedelic rock and raga rock. And finally overlapping traditional American country and Bluegrass music with contemporary rock music. Sanctuary series is a four volume collection on Sundazed Music. Volume four is a collection of outtakes and alternate versions of tracks from the bands groundbreaking Sweetheart Of The Rodeo album.

Gram Parsons had joined the band in February of 1968 and immediately asserted his influence and persuading original band members Roger McGuinn and Chris Hillman toward Honky Tonk/Country music. This wasn't too difficult as Hillman and McGuinn had their roots in traditional country music. But it was virtually unheard of for a pop band to tackle this. Their Sweetheart Of The Rodeo album confused fans at the time and only reached # 77 on the charts and the classic single “You Ain't Goin' Nowhere” only reached #74. The album is now regarded as a classic and made Rolling Stone Magazine’s 500 Greatest Albums of all-time list in 2003.

Sanctuary Four collects several of the Gram Parson vocal tracks that were originally intended for the Sweetheart album. Those tracks were later released with Roger McGuinn on lead vocals as Parson was still contractually obligated to his previous contract with Columbia Records for his time with The International Submarine Band. Including “One Hundred Years From Now”, “Life In Prison” and “You Don't Miss Your Water”. Plus fantastic non album tracks “Lazy Days” and “You've Got A Reputation”.

Sundazed Music, once again, does a fantastic job on the authentic packaging and liner notes. Recommended for Byrdmaniax and Gram Parsons fans alike.  

Here'e The Video Review:

Special Thanks to doomandgloomfromthetomb.tumblr.com

(They Rule)

The Free Design: Resigned The Remix EP Volume 2 (Light In The Attic/2004)

The Free Design were a soft-psyche, baroque pop band from Delevan, New York (which is upstate in Cattaraugus County). They were comprised of the siblings of the Dedrick family. The band released seven albums between the years of 1967 and 1972. They only managed one charting single “Kites Are Fun” which reached 114 on Billboard's charts and 33 on the Adult Contemporary Charts. However by the mid 1990's with American baroque pop of the 60's being reevaluated, they slowly acquired a cult following of people like Belle & Sebastian, Beck and The Polyphonic Spree.

By the mid 2000's all of their albums had been reissued. Along with an album of new original material - Cosmic Peekaboo – as well three EP's of remixed and “resigned”. These redesigned songs are essentially comprise a remixed tribute album of sorts with contributions from Danger Mouse, The High Llamas, Super Furry Animals, Stereolab and Belle & Sebastian. The EP I have is volume 2 (out of the the three volumes). Of the most effective and sympathetic tracks are Stereolab & The High Llamas' remix of “The Proper Ornaments” and Caribou's interpretation of “Dorian Benediction”.

All in an interesting, if diverting tribute album. If you've not heard The Free Design, by all means, check them out. The Beach Boys are the only peers to The Free Design's jazzy, complex vocal harmonies. 

Here is the video review:

Very special thanks to: Cassandra Fowler.

The Beach Boys: The Smile Sessions (Capitol Records/2011)

By 1966 Brian Wilson was, creatively speaking, the king of the pop world. As leader and producer of The Beach Boys he'd been responsible for dozens of hit singles and albums. He'd also produced and written several singles for other artists as well. In three years he'd basically spearheaded an entire industry with selling California and it's appeal to the entire world. 1966 saw the release of The Beach Boys' Pet Sounds, an album that was inspired by Rubber Soul and in turn was single-handedly responsible for inspiring The Beatles to make Sgt. Pepper's Lonely Hearts Club Band.

Originally intended for release in January of 1967, Smile was to be the next progression in pop music. A continuation of the modular songwriting that began with the “Good Vibrations” single. It had a loose thematic concept as an American travelogue from starting as Plymouth Rock and ending in Hawaii (with references to Imperialism, expansion, Industrial revolution, Manifest Destiny and the Great Chicago Fire). It also touches on The Elements (air, fire, Earth and water) as well. However, due to Brian Wilson's excessive substance abuse, paranoia and his creative partner, Van Dyke Parks walking away from the project, Smile was never completed. In fact, it's basically become a common view that Brian Wilson may have been simply overwhelmed with all of the fragments that were recorded for the segments of the pieces. And in his ambitions he basically envisioned the future of digital editing.

An over-simplified version of Smile was released in late Summer of 1967 as Smiley Smile. Songs from what would have been on the finished album did see release in various forms over the years, including on Smiley Smile. “Cabbinessence” and “Our Prayer” were released on the 20/20 album in 1969. "Cool Cool Water" later appeared on Sunflower in 1970. The “Mama Says” segment from “Vege-Tables” was released on Wild Honey in 1967 and “Surf's Up” served as the title track to their critically-acclaimed 1971 album.

The failure of Smile to materialize in its' intended form caused Brian Wilson to retreat from the public eye for many years and serving to ultimately further deepen his mental health problems. Wilson re-recorded the Smile album and tour in support of it in 2004 with his excellent solo band. The 50^th anniversary of The Beach Boys in 2011/2012 was the perfect occasion to finally release the original Smile recordings as The Smile Sessions on Halloween 2011.

The Smile Sessions box set included one double vinyl album (which comes with the original booklet as it was originally produced in 1966), two vinyl seven-inch singles, five CD's, and a sixty-page book. The CDs are one disc of the album as it has now been envisioned/revisioned and four CDs of session highlights. It's easily one of the most reverend box sets to be released specifically with it's fans in mind.

In 1966 album sleeves and booklets were produced way in advance as Smile was on the most highly anticipated releases in Capitol Records history. The artwork has been properly restored as well the mid-60's labels. Not one UPC barcode to be found on the item anywhere. The singles are beautifully reproduced as well, using the original “Heroes & Villains” picture sleeve as well as more of Smile artist Frank Holmes artwork for “Vege-tables”. You can also purchase the vinyl album as a standalone-purchase.

I'd recommend this release for anyone to hear as it's such an important slice of 1960's recording history that almost neverwas.

Here's The Video Review:

Special Thanks to Patricia Marson.

Van Dyke Parks: Song Cycle (Rhino Records/2013)

Van Dyke Parks is something of an enigma who has worn many hats in his long career. He has worked with The Beach Boys on their legendary Smile album and co-wrote "Sail On Sailor". He did the arrangements on Disney's The Jungle Book. He was the head of  Warner Brother's audio/video department in the 1970's. He was taught by Aaron Copland and sang for Albert Einstein in German as a child. He's recorded with The Byrds in the late 60's. He gave Buffalo Springfield it's name. He was a child actor and appeared in several films and television shows, including a neighbor of Ralph & Alice on The Honeymooners.

He's also released a few solo albums. The most notable of these was his debut album, Song Cycle. Song Cycle was originally released on Warner Brothers in 1968, and was recorded with a budget of $35,000 dollars making it the most expensive album at the time of its' release. It is an assemblage of various styles of American music. Ranging from old-timey American Ragtime and showtunes, traditional bluegrass, orchestrated suites all in an esoteric, psychedelic late 60's baroque pop art context. It's simultaneously backwards-looking and progressive. The songs are somewhat seamless and flow better than most albums of this sort IMHO. For starters, there are never any discernible lulls that seem to plague a good majority of so-called experimental pop music. Something is always taking place, and it's that very thing about it - which is wonderful - that may be off-putting some. I love Van Dyke Parks and love the album too.

This release was a limited edition 180-gram mono-pressing of 2,500 copies celebrating it's 45th anniversary. It was released by Rhino on Record Store Day of 2013 and it's basically a flawless release.

Here's the video review:

The Beach Boys: Good Vibrations: Best Of The Beach Boys (Reprise/1975)

The Beach Boys are one of the greatest American bands to emerge from the second-half of the 20th Century. Brian Wilson is one of the most important modern-day American pop composers. His productions ushered in Baroque pop, Sunshine pop and Psychedelic Pop. However, to your average low-information consumer, they are primarily known only for recording a handful of well-crafted, but perhaps over-saturated early hits (i.e. "Surfin' U.S.A.", "Fun, Fun, Fun", "I Get Around", "Help Me Rhonda" and "California Girls"). Hits that have been heard in commercials, movies and all-over oldies radio, for quite some time now.

However some of their best material (bona fide hits or minor hits) come from their lesser-known-to-the-public-at-large era of 1966-1973. Some songs that are very well-known ("Good Vibrations") and have similar, near companion songs that are not as well-known ("Heroes And Villains"). Good Vibrations: Best Of The Beach Boys was the first time all of the baroque-pop period of The Beach Boys was compiled in one place. However it's release was not exactly of purest intentions. Endless Summer (Capitol/1974) and Spirit Of America (Capitol/1975) were compilation albums released of the bands' earlier material by Capitol after the band had been on Reprise for a few years. They were blockbuster albums peaking at numbers 1 and 8, respectively on Billboard. They single-handedly put The Beach Boys back in the general public's commercial consciousness again after years of releasing artistically-successful albums, but dwindling returns. Reprise had the rights to the bands Capitol catalog from 1966-1969 and the bands' own Reprise material (from 1970 onward).

Good Vibrations: Best Of The Beach Boys succeeds in (albeit modestly - it charted at 25) cashing-in on the band they seemingly could never sell in the same way that Capitol had, despite first-class material. Song-for-song it's basically a perfect album. "Good Vibrations", "Wouldn't It Be Nice", "Heroes And Villains", "Friends", "Add Some Music To Your Day", "God Only Knows", "Sloop John B", "Surf's Up", "Caroline, No", "Darlin'", "Do It Again" and "Sail On Sailor" are the songs on the album.  If there was to be a CD release for a complete 1966-1973 best-of, these are the tracks I'd include: "I Can Hear Music", "Cottonfields" (single version),  Bluebirds Over The Mountain", "Wild Honey", "Long Promised Road", "Till I Die", "Marcella", "Cabinessence", "California Saga: California" (single version) "Busy Doin' Nothin'", "This Whole World" and "You Need A Mess Of Help To Stand Alone". But you could always make a compilation CD of all of this I suppose.

I cannot recommend the vinyl platter highly enough.

Here's the video review: